Plastics come in a variety of colors that attract and inspire consumers with their ability to add vibrancy, uniqueness or beauty to base color resins that fall somewhere on a monochromatic scale from clear to various shades of natural to black. The colors of plastics can also signify a favorite brand or corporation logo, thus beckoning a consumer to purchase whatever the plastic holds. But achieving a sea green or a luminous blue requires carefully calibrated techniques that must be repeated by companies on very large scales at multiple, international locations in order to maintain color consistency and thus a company’s desired message.
Methods for coloring plastic
In order to color plastics, companies often use four types of coloring methods. The first is called the “masterbatch” method in which pellets of natural color are mixed with a material with a very high pigment content (masterbatch). The two components are then mixed and molded and then the final product is created from that mold.
In the compounding method, pellets are mixed with pigments in an extruder to create colored pellets, which are then molded into a final product. Similarly, in the pigment solvent method, the pigment is dissolved in a solvent that is sprayed on the surfaces of natural pellets to also create colored pellets, which are then molded. The final method not often used is called dry blending in which the natural plastic pellets and pigment are mixed and molded “as they are” and then used to create a product. The method used will depend on expenses and the extent of pigment desired in the final products.
How to maintain color consistency
Color is essential to the design process and selecting the methods and colorants for this process are essential for consistency. The key is to think about color early on in the product development process and to use spectrophotometers at different stages in order to maintain color consistency and to prevent the creation of a final product that will be rejected by customers.
As described above, manufacturers of plastic items can choose various methods for coloring plastic. However, final products are generally molded from either pre-compounded and colored pellets or masterbatch mixtures in which the base resin is mixed at 3% concentration. To maintain color consistency, the color of these pellets is molded into a plaque and then measured. However, if the plaque measurement step could be eliminated or the number of plaques made reduced and replaced by a step measuring the color of the pellets, producers would save a significant amount of money in time and resources while maintaining color consistency.
From measuring plastic pellets to monitoring the compounding process
Unfortunately, the measurements of resin pellet color are not directly correlated to the final color of a product given several mitigating factors, including whether or not pre-compounded pellets were used, the size of the pellets (which can often be non-uniform), mix ratios of masterbatches, as well as the characteristics of the resin pellets used and the final color a manufacturer hopes to achieve. Still, measuring colored resins can be useful for comparing plastic pellet samples from different or even the same supplier to approximate color consistency.
Beyond the measurement of plastic pellets, a series of on-line spectrophotometry instruments at HunterLab are capable of making real-time, on-line color measurements of a product as it is produced, allowing manufacturers to at least decrease the number of plaques created from pellets in order to test for color consistency and potentially correct any changes in color consistency that occur during the production process. In a business where profits are often measured to the last penny, it is important to determine parts in the manufacturing process that can be reliably expedited, and the use of our instruments can facilitate this judgment. Contact HunterLab today to determine how our products can help plastic manufacturers make the most of their materials and funds.
Mr. Philips has spent the last 30 years in product development and management, technical sales, marketing, and business development in several industries. Today, he is the global market development manager for HunterLab, focused on understanding customer needs, providing appropriate solutions and education, and helping to solve customer color challenges across these industries and cultures.