Colored lens filters are essential tools for photographers and videographers. These accessories improve the quality of their images and help them achieve the aesthetic they are seeking to create, expanding both technical and creative boundaries. However, this can only happen when the color of the lens is consistent and the product is free of contaminants such as dust or other types of flaws in the glass. If the lens is too hazy or the color is too light or dark, it could compromise the quality of the final image. To prevent this, manufacturers of colored lenses must rigorously test their products for color consistency and clarity throughout the production process. When you perform color quality control tests throughout your manufacturing process, you’ll ensure the integrity of your products, refine your production processes, and help your customers realize their artistic visions.
The Importance of Color Consistency and Clarity in Lens Filters
Different lens filters have very specific uses in photography and videography and are sought out to create unique effects that are not possible with conventional lenses. But if the filter is off in color by even a few subtle shades, it could significantly impact the image’s appearance. This is why color consistency is critical for lens filter manufacturers to achieve.
For example, UV filters for cameras are typically clear, but filters that contain a heavier coating of UV filtration will start to look amber in color.1 In fact, if you want your product to filter out as much UV light as possible, your filter should appear fairly dark. If your filter appears almost colorless, however, it may be a sign that you haven’t coated the filter properly and the level of UV protection may be diminished. This can significantly impact the functionality of the filter and create unwanted—and unappealing—color shifts. For example, on a sunny day when the camera is exposed to a great deal of UV light, a blue haze may appear in the final image if UV light is not properly filtered out. Similarly, skylight filters are typically pink in color because they counterbalance the blue bias that film stock typically has. However, this requires a delicate balance; if your filters are too pink, they will make all of the blue tones in the image disappear, whereas if the filters aren’t pink enough, they won’t effectively counterbalance the blue tones in the film. This is why it’s important to get the color just right on your lens filters.
Unfortunately, achieving the right lens color can be difficult, as you must dye the lacquer the same color from batch to batch and you also apply this lacquer in a consistent layer to create the colored film. If you fail to dye the lacquer properly or you apply the lacquer in uneven layers, it could cause the color of the lens filter to appear inconsistent. Additionally, haze and contaminants in the glass can impact the appearance and functionality of the product. For instance, if you use thick glass, you’re much more likely to have air bubbles or other flaws in the product that will show up on film. If you use colored polarizing filters (made from plastic) that you place between two layers of glass, contaminants may come between the glass and the colored film, resulting in a permanent flaw. Other factors like improper formulation and even the oils from your hands can make the lens filter appear hazy. This cloudiness, regardless of the source, will have an effect on the final image; the unwanted particles in the lens will scatter the light when it hits the lens’ front element, and this could cause a stray lighting effect or result in a blurry image.2
To ensure that your lens is manufactured correctly, you should test your materials for color and clarity throughout the manufacturing process. Using a spectrophotometer, you can ensure that the color of your lenses is consistent from one batch to the next and that your glass is free of any potential contaminants.
Measuring Color and Clarity to Ensure Quality
The reason spectrophotometers are essential in the production of colored lens filters is that these instruments are capable of detecting subtle differences in color and clarity with a greater degree of accuracy than the naked eye alone. For example, when you look at lacquer that will be used to manufacture a UV filter, it may appear completely colorless. However, the spectrophotometer will detect if that the filter actually has a subtle amber tint. If this amber tint is out of spec for that particular product, the instrument will alert you to the unwanted color variation. Similarly, a spectrophotometer may be used to quantify haze, allowing you to identify materials with compromised clarity.
To ensure color consistency and clarity in your lenses, it is best to analyze your materials in multiple stages during production. Start by spectrophotometrically measuring a sample of the lacquer coating that you use to create your colored filters.3 Most manufacturers mix together a solvent and dye and then test this liquid for color and haze; lacquer that is too thin will produce a filter that is too clear, while lacquer that is too thick will be too opaque and won’t bond correctly to the glass or plastic filter. To perform these tests, simply place a small sample inside of the spectrophotometer’s port; if the sample falls outside of your tolerance range, you can re-evaluate your formulation or production process and troubleshoot until you achieve a sample of the right color and clarity.
Once this is done, the lacquer is spread in a thin sheet and hardened, at which point the sheet can be analyzed for color accuracy and haze; any air bubbles, contaminants, or uneven layering will make the final product appear inconsistent and muddled. From here, you can also evaluate the glass or plastic to which your colored filters will adhere in the final stage of the manufacturing process to determine whether it is clear, colorless, and free of contaminants. Through these steps, it is possible to ensure that each lens filter is manufactured to the highest standard and will function as expected. They also give you greater insight into your manufacturing process, allowing you to identify process errors and formulation faults and swiftly take corrective action.
Historically, performing these tests has required taking separate color and haze measurements. Today, however, there is a better option. HunterLab’s revolutionary new Vista spectrophotometer measures transmission color and haze simultaneously, meaning that you won’t have to take separate measurements to evaluate your materials. This can save significant time and labor while minimizing risk of user error. Additionally, the Vista is capable of measuring a variety of sample types, from liquids to non-opaque films. This makes it ideal for colored lens filters because you can measure a full range of sample types, from liquid lacquers to thin lacquer sheets. With a touchscreen display, customizable workspaces, a small footprint, and multiple data view options, the Vista not only highly versatile, but user-friendly and easily incorporated into your existing workflow.
Consistent, Clear Lens Filters Offer Higher Quality Results
When you refine your manufacturing process using a spectrophotometer like the Vista, you can create lens filters that function more reliably. Photographers and videographers need a filter that will behave predictably during a shoot and any small contaminants, haziness, or color inconsistencies in the lens could produce an image that doesn’t match what your customers envisioned. By taking the guesswork out of the manufacturing process and testing that all of your filters appear consistent, you will not only produce higher-quality products for your customers, you can also fine-tune your production practices to improve accuracy and efficiency.
Are you looking for an effective way to test your colored lens filters? For more than 60 years, HunterLab has worked closely with lens manufacturers to design instruments that help refine the manufacturing process and test products according to the highest quality standards. Today, state-of-the-art instruments like the Vista offer ideal solutions for the camera accessory industry. Contact HunterLab today to find out more about our renowned line-up of spectrophotometers.
- “A Guide to Filters for Lenses”, 2015, https://www.bhphotovideo.com/explora/photography/buying-guide/a-guide-to-filters-for-lenses ↩
- “Should You Use a UV Filter on Your Lens?”, November 18, 2013, https://www.dpreview.com/articles/7333331953/should-you-use-a-uv-filter-on-your-lens ↩
- “How It’s Made: Lighting Gels and Camera Filters”, January 18, 2010, https://www.youtube.com/watch?v=zhHy0XMOgL8 ↩
Mr. Philips has spent the last 30 years in product development and management, technical sales, marketing, and business development in several industries. Today, he is the global market development manager for HunterLab, focused on understanding customer needs, providing appropriate solutions and education, and helping to solve customer color challenges across these industries and cultures.